Past Concert Seasons: 2019-2020

Omer String Quartet

Saturday, September 26, 2020 (rain date Sunday, September 27, 2020) at 2 pm
Location: 169 Belden Hill Road, Wilton CT 06897

Program

Haydn: Quartet in G Major, Op. 77, No. 1
Bartók: Quartet No. 6
Dvořák: Quartet in C Major, Op. 61

Omer Quartet is quickly gaining a reputation for both “fearless renderings” (The New York Times) of the standard quartet repertoire and compelling performances of works by today’s composers. It burst onto the scene with top prizes at Borciani, Trondheim, and Bordeaux in Europe all in one year, having already captured the Fischoff National Competition Grand Prize. The quartet was awarded First Prize in the 2017 YCA International Auditions and debuted at Carnegie’s Weill Recital Hall.
Frequent collaborations have made Omer Quartet one of the most versatile quartets in the industry, sharing the stage with David Krakauer, Kim Kashkashian, Ricardo Morales, Clive Greensmith, and YCA accordionist Hanzhi Wang, among others. The quartet relishes programming works written by living composers, including those written by Caroline Shaw, Gabriella Smith, and YCA composer Chris Rogerson.

Its ongoing commitment to community engagement includes the inauguration of a Music for Food concert series from 2017-2019 in the metro-DC/Maryland area to support local hunger relief. Their combined efforts in Maryland created over 10,000 meals and involved collaborations with violist and founder of Music for Food, Kim Kashkashian, cellist Paul Katz, and other University of Maryland faculty. Previous grant projects include a Boston Foundation award to sponsor performances in venues such as homeless shelters and drug rehabilitation centers in areas of Boston.

After completing a graduate residency at the New England Conservatory, and in the final stretches of a doctoral degree from the University of Maryland, Omer Quartet currently serves as Visiting Fellows at Yale School of Music.

The word Omer is a period of seven weeks in the Jewish calendar between Passover and Shavuot during which prayers centered around self-reflection, improvement of personality, and inner growth invite the possibility of affecting external results and potential. The Omer Quartet’s members hope to bring the spirit of this quest for self-development to everything they do, from music-making to connecting with their audiences.

Escher String Quartet

Please note this concert has been cancelled due to the public health situation with COVID-19. Check this website again in case this event is rescheduled.

Sunday, March 15, 2020 at 4:00 pm

Program

Haydn: Quartet in G Major, Op. 77, No. 1
Bartók: Quartet No. 6
Dvořák: Quartet in C Major, Op. 61

The Escher String Quartet (Adam Barnett-Hart, violin; Brendan Speltz, violin; Pierre Lapointe, viola; Brook Speltz, cello) has received acclaim for its expressive, nuanced performances that combine unusual textural clarity with a rich, blended sound. A former BBC New Generation Artist, the quartet has performed at the BBC Proms at Cadogan Hall and is a regular guest at Wigmore Hall. In its home town of New York, the ensemble serves as Season Artists of The Chamber Music Society of Lincoln Center, where it has presented the complete Zemlinsky Quartets Cycle as well as being one of five quartets chosen to collaborate in a complete presentation of Beethoven’s string quartets. Last season, the quartet toured with CMS to China.

Within months of its inception in 2005, the ensemble came to the attention of key musical figures worldwide. Championed by the Emerson Quartet, the Escher Quartet was invited by both Pinchas Zukerman and Itzhak Perlman to be Quartet in Residence at each artist’s summer festival: the Young Artists Programme at Canada’s National Arts Centre; and the Perlman Chamber Music Programme on Shelter Island, NY. The quartet has since collaborated with artists including David Finckel, Leon Fleischer, Wu Han, Lynn Harrell, Cho Liang Lin, Joshua Bell, Paul Watkins and David Shifrin, as well as jazz saxophonist Joshua Redman, vocalist Kurt Elling, legendary Latin artist Paquito D’Rivera and Grammy award-winning guitarist Jason Vieaux. In 2013, the quartet became one of the very few chamber ensembles to be awarded the prestigious Avery Fisher Career Grant.

The Escher Quartet has made a distinctive impression throughout Europe, performing at venues such as Amsterdam Concertgebouw, Berlin Konzerthaus, London’s Kings Place, Tel Aviv Museum of Art, Slovenian Philharmonic Hall, Auditorium du Louvre and Les Grand Interprètes series in Geneva. With a strong collaborative approach, the group has appeared at festivals such as Heidelberg Spring Festival, Incontri in Terra di Siena Festival, Dublin’s Great Music in Irish Houses, Risør Chamber Music Festival in Norway, Hong Kong International Chamber Music Festival and Perth International Arts Festival in Australia.

The current season sees another extensive European tour, including debuts at Musik und Kunstfreunde Heidelberg, de Singel Antwerp, Budapest’s kamara.hu festival and Bath Mozartfest. Alongside its growing success in Europe, the Escher Quartet continues to flourish in its home country, performing at Alice Tully Hall in New York, Kennedy Center in Washington DC, Chamber Music San Francisco, and the Ravinia, Caramoor and Music@Menlo festivals.

Currently String Quartet in Residence at Southern Methodist University in Dallas, Texas and Tuesday Musical in Akron, Ohio, the quartet fervently supports the education of young musicians and has given masterclasses at institutions such as the Royal Academy of Music in London and Campos do Jordão Music Festival in Brazil.

In Autumn 2016, the quartet released the third and final volume of the complete Mendelssohn Quartets on the BIS label. The set has been received with the highest critical acclaim; Volume II was listed in the Top 10 CDs of 2016 by the Guardian and hailed for its “sheer finesse” by Gramophone, whilst Volume III was nominated for a BBC Music Magazine Award. The quartet has also recorded the complete Zemlinsky String Quartets in two volumes, released on the Naxos label in 2013 and 2014 respectively, to accolades including five stars in the Guardian with “Classical CD of the Year”, a Recommendation in The Strad, “Recording of the Month” on MusicWeb International and a nomination for a BBC Music Magazine Award.

The Escher Quartet takes its name from Dutch graphic artist M.C. Escher, inspired by Escher’s method of interplay between individual components working together to form a whole.

Carion Wind Quintet

Sunday, February 23, 2020 at 4:00 pm

Program

György Ligeti: Six Bagatelles for Wind Quintet
Igor Stravinsky: Suite No. 2
Dmitri Shostakovich: Theatre Suite
Jacques Ibert: Trois pièces brèves
Franz Liszt: Grandes études de Paganini No. 6

The prize-winning Danish-Latvian ensemble brings a truly unique and innovative chamber music experience to audiences. Carion fascinates with its carefully choreographed and dramatized performances of classical and modern works, making music on stage visible, thus adding a new dimension to traditional concert events.

Carion’s fresh approach to chamber music has brought acclaimed performances in Europe’s most prestigious festivals, like Rheingau Festival, Kissinger Sommer, Beethovenfest Bonn, Bergen Festival and Louisiana Festival, as well as in the Far East. Carion has released five highly critically acclaimed CDs – including stellar reviews from Gramophone and BBC Magazine, awards from Danish radio, and best classical album of 2015 on iTunes. But nothing compares to their trend-setting music videos on YouTube that continue generating views totaling close to a million. The Ligeti performance alone has over 300,000.

The near future will bring a new recording featuring works by Mozart and Hindemith as well as most notable performances such as at Zürich Tonhalle (Switzerland), and continued work on expanding the woodwind genre.

A major project in 2019 will be a commissioned work with the theme 30 years of Baltic Way by three Nordic composers (Britt Bystrom, Anders Nordentoft and Andris Dzenītis) in cooperation with German dramaturg Jochen Sandig. Together the artists will create a completely new type of concerto and unique performance for Carion with symphony orchestra.

Carion presents a varied and interesting repertoire. The ensemble is well versed in the established wind quintet works, but has received most favorable critical attention for their interpretations of Carl Nielsen, French composers like Jean Françaix, and especially the Six Bagatelles by György Ligeti. Carion has worked with several contemporary composers, most notably with Morten Skovgård Danielsen, and can also present a unique range of arrangements by their own horn player, David M.A.P. Palmquist.

David Finckel, Cello, and Wu Han, Piano

Sunday, November 10, 2019 at 4:00 pm

Program

Beethoven: Sonata no. 3 in A Major for Cello and Piano, op. 69
Brahms: Sonata No. 2 in F Major for Cello and Piano, op. 99
Debussy: Nocturnes & Scherzo
Franck: Sonata for Cello and Piano

David Finckel and Wu Han are among the most esteemed and influential classical musicians in the world today. Recipients of Musical America’s Musicians of the Year award, the energy, imagination, and integrity they bring to their concert performances and artistic projects go unmatched.

Season highlights include performances with The Chamber Music Society of Lincoln Center (CMS); a seven-city U.S. tour with violinist Daniel Hope and violist Paul Neubauer; trio performances with violinist Philip Setzer; and Far East appearances in Taipei, Hsinchu, and Shanghai. The duo will also be the subject of two television features to be broadcast on PBS stations across the country.

David Finckel and Wu Han, Artistic Directors of The Chamber Music Society of Lincoln Center, are also the founders and Artistic Directors of Music@Menlo. The cofounders and Artistic Directors of South Korea’s Chamber Music Today festival from 2011 to 2018, this season the duo inaugurates an immersive, week-long festival in Palm Beach. Wu Han also currently serves as Artistic Advisor of Wolf Trap’s Chamber Music at the Barns for two seasons.

Leaders of the classical recording industry, they created ArtistLed in 1997, the first musician-directed and internet-based classical recording company. David Finckel and Wu Han have also overseen the multiple media projects at CMS, and the Music@Menlo LIVE label, which has been praised as “the most ambitious recording project of any classical music festival in the world” (San Jose Mercury News).

Dedicated to the next generation of artists, under their leadership at CMS the Bowers Program (formerly CMS Two) identifies and inducts the finest young chamber artists into the entire spectrum of CMS activities. Music@Menlo’s Chamber Music Institute has provided hundreds of students with incomparable, immersive musical experiences. David Finckel and Wu Han direct the LG Chamber Music School in South Korea, and from 2013 to 2018, led an intensive chamber music studio at the Aspen Music Festival and School. This season, David Finckel and Wu Han’s website introduces a new initiative which addresses the challenges and opportunities facing today’s classical music performers and presenters.

””Mr. Finckel and Wu Han gave eloquent and deeply committed performances. He played with a deep and burnished tone and she with a sparkling virtuosity. Best of all was how keenly they listened to each other.” The New York Times

Stephen Hough, Pianist

Sunday, October 13, 2019 at 4:00 pm

Program

J.S. Bach/arr.Busoni: Chaconne (From The Partita No. 2 in D minor for Violin BWV 1004)
Ferrucio Busoni: Berceuse (1909) from Elegia
Frédéric Chopin: Piano Sonata No. 2 in B-flat minor, Op. 35
Stephen Hough: Sonata No. 4 (Vida Breve)
Franz Liszt: Funérailles, Mephisto Waltz (Bagatelle without Tonality), Mephisto Waltz No.1

One of the most distinctive artists of his generation, Stephen Hough combines a distinguished career as a pianist with those of composer and writer. Named by The Economist as one of Twenty Living Polymaths, Hough was the first classical performer to be awarded a MacArthur Fellowship and was made a Commander of the Order of the British Empire (CBE) in the New Year’s Honours 2014.

Since taking first prize at the 1983 Naumburg Competition in New York, Hough has performed with many of the world’s major orchestras and has given recitals at the most prestigious concert halls. He is a regular guest at festivals such as Salzburg, La Roque- d’Anthéron, Mostly Mozart, Edinburgh, and BBC Proms, where he has made more than twenty concerto appearances.

In 2001 Mr. Hough was the first classical performing artist to win a MacArthur Foundation Fellowship. He was awarded Northwestern University’s 2008 Jean Gimbel Lane Prize in Piano, won the Royal Philharmonic Society Instrumentalist Award in 2010 and in January 2014 was made a Commander of the Order of the British Empire by Queen Elizabeth in the New Year’s Honors List. He has appeared with most of the major European and American orchestras and plays recitals regularly in major halls and concert series around the world. His recent engagements include recitals in Chicago, Hong Kong, London, New York’s Carnegie Hall and Lincoln Center, Paris, Boston, San Francisco, the Kennedy Center and Sydney; performances with the Czech, London and New York Philharmonics, the Chicago, Boston, Pittsburgh, San Francisco, St. Louis, National, Detroit, Dallas, Atlanta and Toronto symphonies, and the Philadelphia, Minnesota, Budapest Festival and Russian National Orchestras; and a performance televised worldwide with the Berlin Philharmonic and Sir Simon Rattle. He is also a regular guest at festivals such as Aldeburgh, Aspen, Blossom, Edinburgh, Hollywood Bowl, Mostly Mozart, Salzburg, Tanglewood, Verbier, Chicago’s Grant Park, Blossom, and the BBC Proms, where he has made over 25 concerto appearances, including playing all of the works written by Tchaikovsky for piano and orchestra over the summer of 2009, a series he later repeated with the Chicago Symphony.

Many of Mr. Hough’s catalogue of over 50 albums have garnered international prizes including the Deutsche Schallplattenpreis, Diapason d’Or, Monde de la Musique, several Grammy nominations, eight Gramophone Magazine Awards including ‘Record of the Year’ in 1996 and 2003, and the Gramophone ‘Gold Disc’ Award in 2008, which named his complete Saint-Saens Piano Concertos as the best recording of the past 30 years. His 2012 recording of the complete Chopin Waltzes received the Diapason d’Or de l’Année, France’s most prestigious recording award. His 2005 live recording of the Rachmaninoff Piano Concertos was the fastest selling recording in Hyperion’s history, while his 1987 recording of the Hummel concertos remains Chandos’s best-selling disc to date. His most recent releases, all for Hyperion, include Grieg Lyric Pieces; a recording of his mass, “Missa Mirabilis,” with the Colorado Symphony and Andrew Litton; a recital disc with Steven Isserlis including Mr. Hough’s Sonata for cello and piano (Les Adieux); a solo recital of Scriabin and Janacek; and the Dvořák and Schumann concertos with the CBSO and Andris Nelsons.

Mr. Hough is also the featured artist in an iPad app about the Liszt Piano Sonata, which includes a fully-filmed performance and was released by the cutting-edge, award-winning company Touch Press.

Published by Josef Weinberger, Mr. Hough has composed works for orchestra, choir, chamber ensemble and solo piano. His “Mass of Innocence and Experience” and “Missa Mirabilis” were respectively commissioned by and performed at London’s Westminster Abbey and Westminster Cathedral. In 2012, the Indianapolis Symphony commissioned and performed Mr. Hough’s own orchestration of “Missa Mirabilis,” which was subsequently performed by the BBC Symphony as part of Mr. Hough’s residency with the orchestra. Mr. Hough has also been commissioned by the musicians of the Berlin Philharmonic, the Gilmore Foundation, The Genesis Foundation, London’s National Gallery, Wigmore Hall, Le Musée de Louvre and Musica Viva Australia among others.

A noted writer, Mr. Hough regularly contributes articles for The Guardian, The Times, The Tablet, Gramophone and BBC Music Magazine and wrote a blog for The Telegraph for seven years which became one of the most popular and influential forums for cultural discussion and for which he wrote over six hundred articles. His book, The Bible as Prayer, was published by Continuum and Paulist Press in 2007, and his first novel, The Final Retreat, was published in early 2018 by Sylph Editions. Mr. Hough resides in London where he is a visiting professor at the Royal Academy of Music and holds the International Chair of Piano Studies at his alma mater, the Royal Northern College in Manchester. He is also a member of the faculty at The Juilliard School.