Past Concert Seasons: 2024-2025

Catalyst String Quartet

Sunday, March 16, 2025, at 4 pm

Program


Paquito D’Rivera: Three pieces
Astor Piazzolla: Suite del Angel
George Gershwin: Lullaby
Coleridge Taylor Perkinson: String Quartet No. 1, “Calvary”

Hailed by The New York Times at its Carnegie Hall debut as “invariably energetic and finely burnished… playing with earthy vigor,” the Grammy Award-winning Catalyst Quartet was founded by the internationally acclaimed Sphinx Organization in 2010. The ensemble (Karla Donehew Perez, violin; Abi Fayette, violin; Paul Laraia, viola; and Karlos Rodriguez, cello) believes in the unity that can be achieved through music and imagine their programs and projects with this in mind, redefining and reimagining the classical music experience.

The Catalyst Quartet, known for “perfect ensemble unity” and “unequaled class of execution” (Lincoln Journal Star), has toured widely throughout the United States and abroad, including sold-out performances at the Kennedy Center in Washington D.C., at Chicago’s Harris Theater, Miami’s New World Center, and Stern Auditorium/Perelman Stage at Carnegie Hall in New York. The quartet has been guest soloists with the Cincinnati Symphony, New Haven Symphony, St. Paul Chamber Orchestra, and the Orquesta Filarmónica de Bogotá, and has served as principal players and featured ensemble with the Sphinx Organization’s featured ensemble, the Sphinx Virtuosi, on six national tours. They have been invited to perform at important music festivals such as Mainly Mozart in San Diego, the Great Lakes Chamber Music Festival, Sitka Music Festival, Juneau Jazz and Classics, Strings Music Festival, and the Grand Canyon Music Festival, where they appear annually. The Catalyst Quartet was ensemble-in-residence at the Vail Dance Festival in 2016 and in the 2021-22 season were in residence with San Francisco Performances where they presented the complete series of works from their Uncovered Project. In 2014, they opened the Festival del Sole in Napa, California with Joshua Bell and participated in England’s Aldeburgh Music Foundation String Quartet Residency with two performances in Jubilee Hall. In 2022 the Catalyst Quartet was named ensemble in residence for the Chamber Music Northwest Festival in Portland and for the Met Museum’s LiveArts series in NYC.

Recent seasons have brought international engagements in Cuba, Canada, Mexico, Argentina, Colombia, and Puerto Rico, and expanded tours throughout the United States. The ensemble’s New York City presence has included concerts at The Metropolitan Museum of Art, at Columbia University’s Miller Theatre, for Schneider Concerts at The New School, for Lincoln Center’s Great Performers Series, at the 92nd Street Y, and six concerts with GRAMMY Award-winning jazz vocalist Cécile McLorin Salvant for Jazz at Lincoln Center, for which the subsequent recording won the 2018 Grammy Award for Best Jazz Vocal Album. The Catalyst Quartet launched its New York concert series CQ@Howl in 2018.

Highlights of past collaborations include Encuentros, featuring a commissioned work by innovative Cuban composer Jorge Amado Molina and other voices from across the Cuban diaspora; (Im)migration: Music of Change, a collaboration with the Imani Winds; and CQ Minute, a commissioning project of 10 miniature string quartets in commemoration of the quartet’s 10th anniversary with works by Andy Akiho, Kishi Bashi, Billy Childs, Paquito D’Rivera, Tania Leon, Jessie Montgomery, Kevin Puts, Caroline Shaw, Joan Tower, and two young composers selected from a national call for scores. The quartet premiered “Passage” a chamber ballet by Jessie Montgomery in celebration of Dance Theater of Harlem on their 50th anniversary with Kennedy Center honoree Tania Leon and was ensemble-in-residence for the Vail International Dance Festival, where they collaborated with members of the Silkroad Ensemble and some of the finest dancers in the world. Catalyst Quartet’s largest ongoing project, UNCOVERED, is a multi-volume set of albums on Azica records that celebrates composers of color whose works have been overlooked by the traditional canon. Volume 1, released February 2021, includes the string quartet and quintets of Samuel Coleridge-Taylor with clarinetist Anthony McGill and pianist Stewart Goodyear. Volume 2 features works by Florence B. Price and Volume 3, set to release February 2023, features Coleridge-Taylor, Perkinson, William Grant Still, and George Walker.

The Catalyst Quartet combines a serious commitment to diversity and education with a passion for contemporary works. The ensemble has served as principal faculty at the Sphinx Performance Academy at the Cleveland Institute of Music and Curtis Institute of Music. The Catalyst Quartet’s ongoing residencies include interactive performance presentations and workshops with Native American student composers at the Grand Canyon Music Festival. Past residencies have included concerts and masterclasses at The University Of Michigan, University Of Washington, Rice University’s Shepard School of Music, Houston’s Society for the Performing Arts, Cincinnati College-Conservatory of Music, The Virginia Arts Festival, and Pennsylvania State University, and internationally at the In Harmony Project in England, The University of South Africa, and The Teatro De Bellas Artes in Cali, Colombia. The ensemble’s residency in Havana, Cuba for the Cuban American Youth Orchestra in January 2019, was the first by an American string quartet since the revolution.

The Catalyst Quartet members hold degrees from The Cleveland Institute of Music, Curtis Institute of Music, Juilliard School, and New England Conservatory.

American Brass Quintet

Sunday, February 9, 2025, at 4 pm

Program

The American Brass Quintet is internationally recognized as one of the premier chamber music ensembles of our time, celebrated for peerless leadership in the brass world. “The most distinguished” of brass quintets (American Record Guide), ABQ has earned its stellar reputation through its celebrated performances, genre-defining commissioned works, and an ongoing commitment to the education of generations of musicians.

A recipient of Chamber Music America’s highest honor, the Richard J. Bogomolny National Service Award for significant and lasting contributions to the field, the group’s rich history includes performances in five continents, a discography of over sixty recordings, and the premieres of over one hundred fifty contemporary brass works. Since its founding in 1960, the commissioned works of esteemed composers have contributed significantly to both contemporary chamber music and the foundation of the modern brass quintet repertoire. Such composers include Elliott Carter, Eric Ewazen, Jennifer Higdon, Anthony Plog, Huang Ruo, David Sampson, Gunther Schuller, William Schuman, Joan Tower, Charles Whittenberg, and John Zorn, among many others. The Quintet’s Emerging Composer Commissioning program, with grant assistance from the Jerome Foundation, produced brass quintets by rising stars Gordon Beeferman, Jay Greenberg, Trevor Gureckis, and Shafer Mahoney. Among the Quintet’s recordings are eleven CDs for Summit Records since 1992 including the latest release, “Perspectives”, featuring four works commissioned for the ensemble.

Committed to the promotion of brass chamber music through education, the American Brass Quintet has been in residence at The Juilliard School since 1987 and the Aspen Music Festival since 1970. Since 2000, ABQ has offered its expertise in chamber music performance and training with a program of mini-residencies as part of its regular touring. Designed to offer young groups and individuals an intense chamber music experience over several days, ABQ mini-residencies have been embraced by schools and communities throughout the United States as well as internationally.

The New York Times wrote that “among North American brass ensembles none is more venerable than the American Brass Quintet.” Through its acclaimed performances, diverse programming, commissioning, extensive discography and educational mission, the American Brass Quintet has created an unparalleled legacy in the brass field.

The Sylvan Trio

Sunday, October 20,2024, at 4pm

Program

Amy Beach: Pastorale & Caprice “Water Sprites” Op.90
Clara Schumann: Trio in G Op.17
Bohuslav Martinu: Trio for flute, cello, and piano H.300
Undine Smith Moore: Afro-American Suite for flute, cello, and piano
Princess Anna Amalia of Prussia: Flute Sonata in F

Comprised of the eclectic instrumentation of flute, cello and piano, the Sylvan Trio explores new music as well as pieces from the standard repertoire.

The group has performed throughout the Midwest, including concerts in Chicago, Cincinnati, Duluth, St. Louis, Toledo, and at Purdue University. Their studio and live recordings receive airplay throughout the U.S. and beyond, including multiple appearances on Performance Today (the nation’s most listened-to classical music program).

Adventurous and creative, the Sylvans will often adapt works from the traditional piano trio literature and other repertoire, breathing new vitality into pieces across the art-music spectrum from Purcell to Piazzolla.

The Sylvans are known for dynamic, engaging performances that blur the line between stage and audience by incorporating discussion, talk-back sessions, and demonstrations. They are enthusiastic presenters of new works, and eager collaborators with composers, presenters, educators, other musicians, and artists of all kinds.

The Trio is dedicated to making a positive impact through the power of musical outreach and education. They offer educational programming and engagement in the form of masterclasses, workshops, clinics, and lecture-demonstrations. The Sylvan Trio has performed and presented at universities, secondary schools, community music schools, performing arts centers, libraries, churches, nightclubs, and on live radio broadcasts.

The Sylvans recorded the eponymous piece on the 2018 album, Seasonal Breezes: Five Chamber Works by Rick Sowash. Sowash composed “Seasonal Breezes” for the Trio, a four-movement work depicting the seasons and inspired by poetry and song.